新闻纪录片仍然在歌颂工农业建设成就与人民生活欣欣向荣，如《丰收喜讯》（1971），《工人阶级创奇迹》（1971），《靠毛泽东思想打开了聋哑禁区》（1971），《从隔夜愁到百日鲜——贮存西红柿的哲学》（1971），《种花生的辩证法》（1972），《工业战线上的凯歌》（1972），《 祖国大地新气象》（1972），《喜看农业大丰收》（1973），《伟大的祖国欣欣向荣》（1973）、《金稻银花齐跃进》（1973）、《林茂粮丰气象新》（1973）。

剧情： 　　30出头的工人马萨，工作热忱，受到老板的赏识，也正因如此，疏远了所有的工作同伴。一天他因为工伤而失去一个手指，一切随之改变。除他以外，所有工人都连成一气对付老板，他自己的生活已呈现崩溃状态，情妇离他而去，妻子离婚后带走儿子，自己又站错队伍，妄信支持大学生们空洞而不切实际的口号，结果遭到池鱼之殃，被老板解雇。集体罢工让工厂不能生产，工人们一面要求修改合约、提高待遇，一面也希望马萨能够复职。后来老板要求马萨在别人罢工期间回来工作，马萨答应，但当他回到工厂门前却无法面对聚集在那里的工人。他在羞愧之余，终于理解了工人们的坚定立场：在事件没有得到合理解决之前，决不妥协。 　　幕后制作： 　　本片获戛纳影展金棕榈奖。影片包含了许多社会现实元素，是一部有时代特征的政治电影，通过马萨这个“迷惘的工人”，再现了那个时代里人们陷入革命理想与现实困难的两难处境。整部电影延续了导演《查案记》的主题和风格，却将视觉转向了探索工人阶级的心态变化和心理活动。

剧情： 　　30出头的工人马萨，工作热忱，受到老板的赏识，也正因如此，疏远了所有的工作同伴。一天他因为工伤而失去一个手指，一切随之改变。除他以外，所有工人都连成一气对付老板，他自己的生活已呈现崩溃状态，情妇离他而去，妻子离婚后带走儿子，自己又站错队伍，妄信支持大学生们空洞而不切实际的口号，结果遭到池鱼之殃，被老板解雇。集体罢工让工厂不能生产，工人们一面要求修改合约、提高待遇，一面也希望马萨能够复职。后来老板要求马萨在别人罢工期间回来工作，马萨答应，但当他回到工厂门前却无法面对聚集在那里的工人。他在羞愧之余，终于理解了工人们的坚定立场：在事件没有得到合理解决之前，决不妥协。 　　幕后制作： 　　本片获戛纳影展金棕榈奖。影片包含了许多社会现实元素，是一部有时代特征的政治电影，通过马萨这个“迷惘的工人”，再现了那个时代里人们陷入革命理想与现实困难的两难处境。整部电影延续了导演《查案记》的主题和风格，却将视觉转向了探索工人阶级的心态变化和心理活动。

Lidija does not have an easy job, but she goes about it, assertively and efficiently, 24/7. As the go-to girl working for a dubious real estate company, her brief includes everything from evicting people from their flats to working hand-in-glove with her boss to cheat and bribe. She currently finds herself on a major building site supervising a group of illegal construction workers and making sure that everything looks good to the outside world. But while she is putting on a brave face demonstrating to TV cameras how the firm is complying with European safety standards, in reality there is a rebellion afoot. Derided by the others as a yes-man, foreman Braco is sidelined as a worker nicknamed the “professor” becomes the real authority, leading the labourers in their struggle against subjugation and constant humiliation. Theirs is a fight to the death in which Lidija, too, must finally decide whose side she is on. 　　Miloš Pušić demonstrates a light-handed touch in this portrait of corruption at the expense of those who are bled dry and cheated. This is no lament, but instead packs a real punch. Quo vadis, Aida? star Jasna Đuričić shines as the stern face of a battered generation.

Lidija does not have an easy job, but she goes about it, assertively and efficiently, 24/7. As the go-to girl working for a dubious real estate company, her brief includes everything from evicting people from their flats to working hand-in-glove with her boss to cheat and bribe. She currently finds herself on a major building site supervising a group of illegal construction workers and making sure that everything looks good to the outside world. But while she is putting on a brave face demonstrating to TV cameras how the firm is complying with European safety standards, in reality there is a rebellion afoot. Derided by the others as a yes-man, foreman Braco is sidelined as a worker nicknamed the “professor” becomes the real authority, leading the labourers in their struggle against subjugation and constant humiliation. Theirs is a fight to the death in which Lidija, too, must finally decide whose side she is on. 　　Miloš Pušić demonstrates a light-handed touch in this portrait of corruption at the expense of those who are bled dry and cheated. This is no lament, but instead packs a real punch. Quo vadis, Aida? star Jasna Đuričić shines as the stern face of a battered generation.

由西雅圖獨立媒體中心(Seattle Independent Media Centre)及大大聲影視(Big Noise Films)協力製作。 　　「這就是民主的面貌」(This is what democracy looks like)片長56分鐘。本片紀錄捕捉了1999年於西雅圖發生的反世貿示威活動情況。 　　在一個名叫齊亞柏斯的地方，那裹吹起了一道來自山區的風潮，衪為一場眾多不同邉踊佣傻倪動吹開了一道窗口。由西雅圖的攤牌現場至坎昆的零公里，我們看到這就是民主的面貌，及因人民的掙扎和抵抗而展開的第四次世界大戰。其中，導航員描繪了大企業的航圖，亞根延的飯碗奮抗路線如何行進至一個由下而上的工人當家去回奪，開創以至掌握將來的標示。

由西雅圖獨立媒體中心(Seattle Independent Media Centre)及大大聲影視(Big Noise Films)協力製作。 　　「這就是民主的面貌」(This is what democracy looks like)片長56分鐘。本片紀錄捕捉了1999年於西雅圖發生的反世貿示威活動情況。 　　在一個名叫齊亞柏斯的地方，那裹吹起了一道來自山區的風潮，衪為一場眾多不同邉踊佣傻倪動吹開了一道窗口。由西雅圖的攤牌現場至坎昆的零公里，我們看到這就是民主的面貌，及因人民的掙扎和抵抗而展開的第四次世界大戰。其中，導航員描繪了大企業的航圖，亞根延的飯碗奮抗路線如何行進至一個由下而上的工人當家去回奪，開創以至掌握將來的標示。

Attempt to look at the Polish workers early seventies, their daily problems and concerns. After the protest in December 1970 years took place discredited Edward Gierek team and his companions, promising 'new Poland'. The workers, however, remain critical, suspicious, still eager to revolt. The original version of the film was never publicly shown. After the cuts and przemontowaniu - against the wishes of authors - created version called '' team ''( ''Gospodarze''), which was the issue of television.

Attempt to look at the Polish workers early seventies, their daily problems and concerns. After the protest in December 1970 years took place discredited Edward Gierek team and his companions, promising 'new Poland'. The workers, however, remain critical, suspicious, still eager to revolt. The original version of the film was never publicly shown. After the cuts and przemontowaniu - against the wishes of authors - created version called '' team ''( ''Gospodarze''), which was the issue of television.

A short film which documents the lives of four women who work together in a factory.